Thao Nguyen Phan, Becoming Alluvium, 2019–ongoing (left) and Janis Rafa, Winter Came Early, 2015 (right). Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy Fondazione In Between Art Film. Photo: Andrea Rossetti
Thao Nguyen Phan, Becoming Alluvium, 2019–ongoing. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Thao Nguyen Phan, Becoming Alluvium, 2019–ongoing. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Thao Nguyen Phan, Becoming Alluvium, 2019–ongoing. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Saodat Ismailova, Melted Into The Sun, 2024. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Saodat Ismailova, Melted Into The Sun, 2024. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Masbedo, Teorema d’incompletezza [Theorem of Incompleteness], 2008 (left) and Saodat Ismailova, Melted Into The Sun, 2024 (right). Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy Fondazione In Between Art Film. Photo: Andrea Rossetti
Masbedo, Teorema d’incompletezza [Theorem of Incompleteness], 2008. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artists and Fondazione In Between Art Film. Photo: Andrea Rossetti
Adrian Paci, The Wanderers, 2021 (left) and Masbedo, Teorema d’incompletezza [Theorem of Incompleteness], 2008 (right). Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy Fondazione In Between Art Film. Photo: Andrea Rossetti
Adrian Paci, The Wanderers, 2021. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist; kaufmann repetto, Milan/New York; Peter Kilchmann Gallery, Zurich; and Fondazione In Between Art Film. Photo: Andrea Rossetti
Adrian Paci, The Wanderers, 2021. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist; kaufmann repetto, Milan/New York; Peter Kilchmann Gallery, Zurich; and Fondazione In Between Art Film. Photo: Andrea Rossetti
Daniel Steegmann Mangrané, A Dream Dreaming a Dream, 2020. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Daniel Steegmann Mangrané, A Dream Dreaming a Dream, 2020. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Janis Rafa, Winter Came Early, 2015. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Janis Rafa, Winter Came Early, 2015. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Lantern With No Walls
Fondazione In Between Art Film
December 13 2024 – January 26 2025
Monday to Sunday, 11am – 6pm
To open the winter season at Tarmak22, we are proud to present Lantern With No Walls, an exhibition by the Fondazione In Between Art Film. The exhibition follows Beatrice Bulgari’s acclaimed shows during the Venice Biennale — Penumbra (2022) and this year’s Nebula — and has evolved from a friendship that the Italian patron and we have forged over past years. Since getting to know Beatrice, we have been moved by her and her team’s commitment to supporting artists with strong voices, and the statements that they make.
Lantern With No Walls is a group show, curated by Leonardo Bigazzi, Alessandro Rabottini, and Paola Ugolini. Set against an exhibition design by 2050+, an interdisciplinary practice established by Ippolito Pestellini Laparelli, the exhibition puts together the works of six internationally renowned artists — Masbedo, Saodat Ismailova, Adrian Paci, Janis Rafa, Daniel Steegmann Mangrané and Thao Nguyen Phan.
The artists’ works have been completed in studios around the world, from Vietnam to Spain, Italy, Brazil and Uzbekistan. What they have in common is glimpses of landforms, of rivers, forests, and rising mountains — terrains that shape the Saanenland, and frame the town of Gstaad.
Lantern With No Walls is also a debut. The exhibition marks the first time that pieces drawn from the personal collection of Beatrice Bulgari are on display. An Oscar-winning costume designer, she founded the Fondazione In Between Art Film in 2012 to further dialogue between different art forms with moving images. Today, the collection safeguards more than 130 works, including films and video installations. The six works on show in Gstaad this winter offer a snapshot into the important work that Beatrice and her team have been carrying out since the Fondazione’s foundation, and the beauty and poetry of the art collection that they have built.
Images
Andrea Rossetti
Janis Rafa, Winter Came Early, 2015. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Janis Rafa, Winter Came Early, 2015. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Daniel Steegmann Mangrané, A Dream Dreaming a Dream, 2020. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Daniel Steegmann Mangrané, A Dream Dreaming a Dream, 2020. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Adrian Paci, The Wanderers, 2021. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist; kaufmann repetto, Milan/New York; Peter Kilchmann Gallery, Zurich; and Fondazione In Between Art Film. Photo: Andrea Rossetti
Adrian Paci, The Wanderers, 2021. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist; kaufmann repetto, Milan/New York; Peter Kilchmann Gallery, Zurich; and Fondazione In Between Art Film. Photo: Andrea Rossetti
Adrian Paci, The Wanderers, 2021 (left) and Masbedo, Teorema d’incompletezza [Theorem of Incompleteness], 2008 (right). Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy Fondazione In Between Art Film. Photo: Andrea Rossetti
Masbedo, Teorema d’incompletezza [Theorem of Incompleteness], 2008. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artists and Fondazione In Between Art Film. Photo: Andrea Rossetti
Masbedo, Teorema d’incompletezza [Theorem of Incompleteness], 2008 (left) and Saodat Ismailova, Melted Into The Sun, 2024 (right). Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy Fondazione In Between Art Film. Photo: Andrea Rossetti
Saodat Ismailova, Melted Into The Sun, 2024. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Saodat Ismailova, Melted Into The Sun, 2024. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Thao Nguyen Phan, Becoming Alluvium, 2019–ongoing. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Thao Nguyen Phan, Becoming Alluvium, 2019–ongoing. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Thao Nguyen Phan, Becoming Alluvium, 2019–ongoing. Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy of the artist and Fondazione In Between Art Film. Photo: Andrea Rossetti
Thao Nguyen Phan, Becoming Alluvium, 2019–ongoing (left) and Janis Rafa, Winter Came Early, 2015 (right). Installation view of “Lantern With No Walls”, Fondazione In Between Art Film at Tarmak 22, Gstaad, 2024. Courtesy Fondazione In Between Art Film. Photo: Andrea Rossetti
Lantern With No Walls
Fondazione In Between Art Film
December 13 2024 – January 26 2025
Monday to Sunday, 11am – 6pm
To open the winter season at Tarmak22, we are proud to present Lantern With No Walls, an exhibition by the Fondazione In Between Art Film. The exhibition follows Beatrice Bulgari’s acclaimed shows during the Venice Biennale — Penumbra (2022) and this year’s Nebula — and has evolved from a friendship that the Italian patron and we have forged over past years. Since getting to know Beatrice, we have been moved by her and her team’s commitment to supporting artists with strong voices, and the statements that they make.
Lantern With No Walls is a group show, curated by Leonardo Bigazzi, Alessandro Rabottini, and Paola Ugolini. Set against an exhibition design by 2050+, an interdisciplinary practice established by Ippolito Pestellini Laparelli, the exhibition puts together the works of six internationally renowned artists — Masbedo, Saodat Ismailova, Adrian Paci, Janis Rafa, Daniel Steegmann Mangrané and Thao Nguyen Phan.
The artists’ works have been completed in studios around the world, from Vietnam to Spain, Italy, Brazil and Uzbekistan. What they have in common is glimpses of landforms, of rivers, forests, and rising mountains — terrains that shape the Saanenland, and frame the town of Gstaad.
Lantern With No Walls is also a debut. The exhibition marks the first time that pieces drawn from the personal collection of Beatrice Bulgari are on display. An Oscar-winning costume designer, she founded the Fondazione In Between Art Film in 2012 to further dialogue between different art forms with moving images. Today, the collection safeguards more than 130 works, including films and video installations. The six works on show in Gstaad this winter offer a snapshot into the important work that Beatrice and her team have been carrying out since the Fondazione’s foundation, and the beauty and poetry of the art collection that they have built.
Images
Andrea Rossetti